Artist Statement

During my years as brand image designer I frequented printing companies to supervise my client’s projects, I became familiar with “make-readies”—the term given the test paper sheets lying in stacks among the presses. This was re-purposed “trash’ smothered with unintentionally printed layers of ink from unrelated jobs—resulting in typography and images commingling in unexpected, and in many cases traditionally inharmonious ways. These captivated me and became the inspiration and foundation for my visual exploration and creative pursuit beyond my day work.

I was fascinated with how layered lines of type became fragments, interacting with mostly unrecognizable images of ads, book plates, and other subjects. Unwittingly, this emerged as my visual language. I called this work “well-involved vacant structures,” after seeing a make ready fragment with words relating to fire fighting. “Well-involved” suggested the multitude of layered imagery, whereas “vacant structures” implied the abstract nature of mostly indecipherable messaging ephemera. The final name of the work changed to Make-Ready.

Both sides of my education—degrees in art history, painting and drawing, and communication design, with decades of offset printing experience—now converged into something fresh and exhilarating. A doorway into the art world.

–Benj Čziller, Ojai CA


Make-Ready, Singular Works, 1985-2025, ’Well-involved Vacant Structures’ Archival limited edition pigment prints on Canson hot press, unless otherwise indicated. Various sizes.


An abstract, colorful image with overlaid text and geometric shapes, including squares and rectangles, in pastel tones of green and blue. Abstract fine art by Benjamin Cziller.
'Blue Crest',  1994,  62” x 94”  
A close-up of a section of a newspaper front page with text and graphic elements, featuring a stylized American flag with red and white stripes and a blue rectangle with text overlay. Cziller.
'Commerce Flag'   2012, 40” x 54”  
Abstract digital artwork with layered text, numbers, and symbols in black, white, gray, and beige tones, creating a textured collage effect. Abstract fine art by Benjamin Cziller.
'Literature'  2016, 42" x 42”   Archival pigment print on belgian linen.
Colorful word cloud with overlapping text, featuring words like 'energy,' 'trust,' 'better,' and 'love' in various sizes and colors. Abstract fine art by Benjamin Cziller.
'Happy Currency'  2017,  9" x 7”  
A collage of multiple snippets of text with different background colors, creating an abstract, layered appearance. Abstract fine art by Benjamin Cziller.
'Took Her To the Circus'  2016, 20" x 25”  
A blurry close-up of a page of printed text, with some parts of the text obscured or unreadable. Abstract fine art by Benjamin Cziller.
'There You Have It'   2024, 24" x 24”   
A distorted and layered collage of overlapping text and images on a wooden surface, with various fonts, colors, and handwriting styles. Abstract fine art by Benjamin Cziller.
'Asian Cookery'  2016, 24" x 24”   
A heavily pixelated and distorted image featuring overlaid text in various colors, making it difficult to identify specific objects or details. Abstract fine art by Benjamin Cziller.
'Dot Farm 1'  2016, 52" x 58”   
An abstract digital art piece with layered text and colors over a wooden background. The text is partially readable and appears to be fragmented and overlapping, with colors including shades of red, orange, blue, and white. Abstract art by Cziller.
'Limesickle'  2022, 52" x 64”  
Distorted and abstracted image of a newspaper page with text and some visible colorful spots, making the content unrecognizable. Abstract fine art by Benjamin Cziller.
'Than'  2016, 12" x 15”  
A person taking a selfie, showing their face and upper body, outdoors near trees and metal structures, with graffiti-covered walls in the background. Abstract fine art by Benjamin Cziller.
'Station To Station'  2012, 18" x 24”  
Close-up of an Asian banknote featuring serial numbers, ornate patterns, and part of a portrait. The note has a background of intricate text and decorative elements. Abstract fine art by Benjamin Cziller.
'Conundrum'  2012, 18" x 22”  
A folded US dollar bill with a partially visible portrait of a historical figure, overlaid with text and colored graphics that obscure the original image. Abstract fine art by Benjamin Cziller.
  'Dr Christian Barnard'   1992   12" x 12”  
Overlapping text and color overlays on a document page with a title 'Color Plate 1' in the upper right, featuring paragraphs of text in black, blue, and red. Abstract fine art by Benjamin Cziller.
'Color Plate'  2016, 74" x 52” 
A collage of a handwritten note, printed text, and abstract elements with red-orange splatters. Abstract fine art by Benjamin Cziller.
'Dot Farm 2'  2016, 52" x 64”