Artist Statement

During my years as brand image designer I frequented printing companies to supervise my client’s projects, I became familiar with “make-readies”—the term given the test paper sheets lying in stacks among the presses. This was re-purposed “trash’ smothered with unintentionally printed layers of ink from unrelated jobs—resulting in typography and images commingling in unexpected, and in many cases traditionally inharmonious ways. These captivated me and became the inspiration and foundation for my visual exploration and creative pursuit beyond my day work.

I was fascinated with how layered lines of type became fragments, interacting with mostly unrecognizable images of ads, book plates, and other subjects. Unwittingly, this emerged as my visual language. I called this work “well-involved vacant structures,” after seeing a make ready fragment with words relating to fire fighting. “Well-involved” suggested the multitude of layered imagery, whereas “vacant structures” implied the abstract nature of mostly indecipherable messaging ephemera. The final name of the work changed to Make-Ready.

Both sides of my education—degrees in art history, painting and drawing, and communication design, with decades of offset printing experience—now converged into something fresh and exhilarating. A doorway into the art world.

–Benj Čziller, Ojai CA


Make-Ready, Singular Works, 1985-2025, ’Well-involved Vacant Structures’ Archival limited edition pigment prints on Canson hot press, unless otherwise indicated. Various sizes.


A colorful, abstract image featuring layered text, shapes, and textures. There are pastel-colored rectangles and overlapping patterns with illuminated effects. Abstract fine art by Benjamin Cziller.
'Blue Crest',  1994,  62” x 94”  
A book cover features a stylized American flag with red and white stripes and a blue canton. The title, author, and other text are overlaid in a distressed style, with the title partially obscured by black ornate design elements. Abstracts by Cziller
'Commerce Flag'   2012, 40” x 54”  
An abstract artwork with layered texts and patterns in black, white, and beige tones, featuring some colorful elements and a textured background. Abstract fine art by Benjamin Cziller.
'Literature'  2016, 42" x 42”   Archival pigment print on belgian linen.
A highly distorted and illegible image composed of overlapping colorful text, making it difficult to understand or interpret specific details. Abstract fine art by Benjamin Cziller.
'Happy Currency'  2017,  9" x 7”  
A colorful, abstract mosaic with overlapping text and various hues, including blue, gray, red, orange, green, and purple, creating a textured visual pattern. Abstract fine art by Benjamin Cziller.
'Took Her To the Circus'  2016, 20" x 25”  
A grainy, pixelated image of a page of text from a newspaper. The text is partially obscured and difficult to read due to the low resolution, but appears to be an article with small print. Abstract fine art by Benjamin Cziller.
'There You Have It'   2024, 24" x 24”   
Abstract artwork with layered, overlapping text and images on a wooden background, featuring distorted letters and colors such as pink, blue, and black. Abstract fine art by Benjamin Cziller.
'Asian Cookery'  2016, 24" x 24”   
A heavily pixelated and layered digital art image composed of overlaid code and symbols with various colors, including blue, red, yellow, and beige. Abstract fine art by Benjamin Cziller.
'Dot Farm 1'  2016, 52" x 58”   
Abstract digital artwork with layered text, bright colors, and textured background. Abstract fine art by Benjamin Cziller.
'Limesickle'  2022, 52" x 64”  
A highly distorted and abstracted cityscape with buildings, trees, and signs, making it difficult to identify specific objects or details.
'Than'  2016, 12" x 15”  
A person wearing a hat standing on a street in front of a large Gothic-style church with pointed arches and stained glass windows. Abstract fine art by Benjamin Cziller.
'Station To Station'  2012, 18" x 24”  
A textured, abstract piece of art featuring layered text and chaotic black swirls across a background of various colors including green, beige, orange, and yellow. Abstract fine art by Benjamin Cziller.
'Conundrum'  2012, 18" x 22”  
Close-up of a map with overlaid text, featuring various colors and details, including streets, labels, and a red marker. Abstract fine art by Benjamin Cziller.
  'Dr Christian Barnard'   1992   12" x 12”  
A blurry image of a printed page with overlaid text, including some red and blue markings and the title 'Color Plate 1'. The page contains columns of text with some visible words related to education and research, such as 'doctoral students', 'education', and 'research'. The overall appearance is of a heavily edited or annotated document.
'Color Plate'  2016, 74" x 52” 
A digitally manipulated, abstract collage of newspaper clippings featuring text and some visible images, with splashes of bright orange paint scattered across the composition. Abstract fine art by Benjamin Cziller.
'Dot Farm 2'  2016, 52" x 64”